Peatsmoke Journal is holding our very first flash memoir workshop!
Editor-in-chief Wendy Wallace will lead an online generative workshop on Saturday, September 12 from 2-4pm EST. We’ll read published works, discuss craft, and dive into writing together as a supportive community. We’ll explore what flash memoir allows us to say and delve into, and how small spaces can hold huge narrative power.
In addition to the 2-hour class, Wendy will meet one-on-one with each participant for a 30-minute session. During the session, participants may bring a piece from the class or another draft for an in-depth workshop. Feel free to bring other questions about writing and publishing to the meeting as well -- this is your time!
The workshop is capped at 6 participants. To apply, please fill out the form below. We’re excited to welcome people in all stages of their writing career and from all backgrounds and experience, especially traditionally underrepresented writers.
We’re excited for you to write with us!
Wendy Elizabeth Wallace (she/they) is a queer disabled writer. She grew up in Buffalo, New York, and has landed in Connecticut by way of Pennsylvania, Berlin, Heidelberg, and Indiana. She is the co-founder and editor-in-chief of Peatsmoke Journal. Working in literary publishing since 2013, Wendy has been involved in a number of magazines and presses, including Split Lip Press, Split Lip Magazine, Fractured Literary, and The Sycamore Review. Their writing has appeared in The Los Angeles Review, ZYZZYVA, the anthology In-Between Spaces , SmokeLong Quarterly, Brevity, and elsewhere. Wendy teaches writing at Southern Connecticut State University and leads a monthly memoir workshop through the Bridgeport Public Library.
Quick Info
Date: Saturday, September 12
Time: 2pm-4pm EST
Location: Online (Zoom)
Individual Session: 30 minutes scheduled individually on 9/12 or 9/13
Fee: $50
General Guidelines
We accept previously unpublished poetry, fiction, flash, and nonfiction. Simultaneous submissions are fine, but please let us know right away if your work is accepted elsewhere. You can include a cover letter full of amusing tidbits about you or of fascinating trivia you learned from a podcast recently, but we are not interested in reading a list of the journals your work has appeared in. What is important to us is that you are sending us writing that feels urgent and necessary, work that is ready to go out for a stroll in the world. As a journal, we are committed to publishing diverse voices of all kinds.
We know how nerve-wracking it can be to check your inbox every morning, hoping to hear back from a journal, so we do our best to make our turnaround time as quick as possible. We will try to respond to every submission within two months, if not sooner. Please do not send more than one submission in any genre until you have heard back from us.
Unfortunately, we will sometimes need to charge for submissions. We are a small volunteer staff with a limited budget, and this charge will cover only our costs for running Submittable. However, we want to ensure that submitting to Peatsmoke remains accessible to all. We will provide as many free submission periods as we can throughout the year. If you are submitting during a paid submission period and are unable to pay the $3 submission fee, please send us an email at editors@peatsmokejournal.com letting us know, and we will waive your submission fee. Also, we offer free submissions for marginalized writers, as it is so important to us to support the words of those who have been traditionally underrepresented in the writing community.
Big News: We are now paying contributors!
We pay $10/per piece. We wish it were more, and hopefully it will be in the future. We would love to pay a million dollars/piece, since that is how much we feel you’re worth. We will also give your work a forever home on our website, sing your praises, and always love you! We nominate for prizes and anthologies, including Pushcart, Best of the Net, and Best Small Fictions. If published with us, we ask that you give Peatsmoke First North American Serial Rights and electronic media rights to your work. The copyright reverts back to the author upon publication, but we ask that Peatsmoke be acknowledged if the work is subsequently published in book form or reprinted in another venue.
We aren't looking for particular styles or types of writing, but here are some things we consider when reading:
Fiction
We’re into fiction that explores the human condition with empathy and curiosity. We love reading fully realized characters who are pushed and challenged, and clear, carefully-crafted sentences that bring them to life. Speculative and experimental work is absolutely welcome here.
Important: One story per submission between 1,001-7,000 words.
Flash
We love flash with strong sentence-level writing and compelling images that hold a moment and explode it, taking us to unexpected depths in a small space. We're excited to receive both flash fiction and flash CNF. If it's important to you that we know the genre you're submitting, please drop us a note in your cover letter to tell us. Realism, speculative, and experimental work, or a mix of all of these, is very welcome. Feel free to get weird — we’re here for it.
Important: An individual flash should be no longer than 1000 words. You may include up to 3 pieces in your submission.
Poetry
Nothing excites us more than a stellar combination of image and sound. We’re interested in how the two collide and inform each other and the work they’re doing. Images that have energy are the best images. Sounds and forms that follow content are the best sounds and forms. We want to be able to understand what’s going on in your poem by the weight and lilt of it in our mouths. We read everything aloud. We pay attention to line breaks. If we’ve seen it before, we don’t want to publish it. Please send up to three poems of any length.
Nonfiction
We love nonfiction pieces we can’t classify. If it’s a brief flash prose poem using academic language that’s also a sonnet, we want to read it. We most admire essays that (like poetry) emphasize image, that show the process of discovery. Please send only one piece at a time.
Artwork
Peatsmoke features artists in each issue, with art paired with each story and poem and displayed prominently on our main page. We are into any kind of 2-D art that appears well on a website, with the exception of comics. Send us your collage, your photography, your paintings, your drawings, your woodcuts, your etchings, your linotypes, your sand art — whatever it is, we'd love to check it out. For our consideration, please give us a submission of 5-10 images. Please send only one submission at a time, and wait until you have received a response before submitting again.
Peatsmoke Journal is holding our very first flash memoir workshop!
Editor-in-chief Wendy Wallace will lead an online generative workshop on Saturday, September 12 from 2-4pm EST. We’ll read published works, discuss craft, and dive into writing together as a supportive community. We’ll explore what flash memoir allows us to say and delve into, and how small spaces can hold huge narrative power.
In addition to the 2-hour class, Wendy will meet one-on-one with each participant for a 30-minute session. During the session, participants may bring a piece from the class or another draft for an in-depth workshop. Feel free to bring other questions about writing and publishing to the meeting as well -- this is your time!
The workshop is capped at 6 participants. To apply, please fill out the form below. We’re excited to welcome people in all stages of their writing career and from all backgrounds and experience, especially traditionally underrepresented writers.
We’re excited for you to write with us!
Wendy Elizabeth Wallace (she/they) is a queer disabled writer. She grew up in Buffalo, New York, and has landed in Connecticut by way of Pennsylvania, Berlin, Heidelberg, and Indiana. She is the co-founder and editor-in-chief of Peatsmoke Journal. Working in literary publishing since 2013, Wendy has been involved in a number of magazines and presses, including Split Lip Press, Split Lip Magazine, Fractured Literary, and The Sycamore Review. Their writing has appeared in The Los Angeles Review, ZYZZYVA, the anthology In-Between Spaces , SmokeLong Quarterly, Brevity, and elsewhere. Wendy teaches writing at Southern Connecticut State University and leads a monthly memoir workshop through the Bridgeport Public Library.
Quick Info
Date: Saturday, September 12
Time: 2pm-4pm EST
Location: Online (Zoom)
Individual Session: 30 minutes scheduled individually on 9/12 or 9/13
Fee: $50
